26 февраля Зал оркестрового мастерства (№ 420) 10:00  Приветственное с translation - 26 февраля Зал оркестрового мастерства (№ 420) 10:00  Приветственное с English how to say

26 февраля Зал оркестрового мастерс

26 февраля Зал оркестрового
мастерства (№ 420)

10:00
Приветственное слово ректора Днепропетровской консерватории им. М. Глинки, заслуженного деятеля искусств Украины
Юрия Михайловича Новикова

Утреннее заседание Председательствует В.И. Скуратовский
РЫЖКОВА Светлана
студентка ІV курса Днепропетровской консерватории им. М. Глинки
Научный руководитель Л.В. Гонтовая
М. Равель: наставник или волшебник (о подтексте оперы-балета «Дитя и волшебство»
БАБЕНКО Алеся
студентка І курса историко-теоретического факультета Московской консерватории им. П.И. Чайковского
Научный руководитель Р.А. Насонов
О символике Скрипичного
концерта ми мажор
И.С. Баха (BWV 1042)

ИБРАГИМОВА Зейнеп
студентка ІV курса фортепианно-теоретического факультета Одесской национальной музыкальной академии им. А.В. Неждановой
Научный руководитель
А.И. Самойленко
Историческая традиция и «актуализация интерпретации» как два аспекта современного оперного творчества

КУЗНЕЦОВА Екатерина
аспирантка кафедры истории музыки Российской академии музыки им. Гнесиных
Научный руководитель М.Г. Раку
Рахманинов и американская публика: к истории редакций Четвертого фортепианного концерта

ПИСКУНОВА Анастасия
студентка ІV курса Днепропетровской консерватории им. М. Глинки
Научный руководитель В.И. Скуратовский
«Остановись мгновенье …» «Tabula rassa» Арво Пярта
12:00
Фоменко Наталья
соискатель кафедры старинной музыки Национальной музыкальной академии Украины им. П.И. Чайковского
Научный руководитель Н.А. Герасимова-Персидская

Концерт клавесинной музыки
в исполнении
Натальи Фоменко Особенности интерпретации клавирной музыки Барокко: опыт исторически-информированного исполнительства (HIP)

13:00 – 14:00
Перерыв
14:00
Дневное заседание Председательствует Л.В. Гонтовая
БАБЕНКО Екатерина
магистр музыковедческого факультета Донецкой государственной музыкальной академии им. С.С. Прокофьева
Научный руководитель И.Н. Михайлова
Музыкальная аллонимия: история, теория и практика

СТРИЛЬЧУК Елена
соискатель кафедры истории музыки и музыкальной этнографии Одесской национальной музыкальной академии им. А.В. Неждановой
Научный руководитель
А.И. Самойленко
Поэтика Оливье Мессиана как предмет музыковедческого осмысления

ЗАДНИПРЯНАЯ Елена
магистр музыковедческого факультета Донецкой государственной музыкальной академии им. С.С. Прокофьева
Научный руководитель Е.Г. Антонова
Музыкальная криптография в Энигма-вариациях Э. Элгара

15:30
Зал исполнительского мастерства (№ 305) Круглый стол

17:30
Зал оркестрового мастерства (№ 420) СКУРАТОВСКАЯ Мария
студентка ІV курса Днепропетровской консерватории им. М. Глинки
Научный руководитель В.И. Скуратовский

Премьера оперы «Пиковая дама» в постановке молодых исполнителей творческого проекта «Юная опера» Метаморфозы «Пиковой дамы»: произвол или обновление






27 февраля Большой зал
10:00
Утреннее заседание Председательствует В.И. Скуратовский ЛЕВАШЕВ Евгений Михайлович
доктор искусствоведения, профессор Российского государственного института искусствознания, член-корреспондент Международной академии творчества (Россия)
Философия орнамента

БОБРИК Олеся Анатольевна
кандидат искусствоведения, старший научный сотрудник Российского государственного института искусствознания, преподаватель Московской государственной консерватории им. П.И. Чайковского (Россия)
Смутные времена постсоветского музыковедения: заметки и
наблюдения участника событий

12:00
НАСОНОВ Роман Александрович
кандидат искусствоведения, доцент кафедры истории зарубежной музыки Московской государственной консерватории им. П.И. Чайковского (Россия)

Концерт камерного оркестра Днепропетровской консерватории им. М. Глинки
(дирижер – Владимир Овчаров)
Иоганн Себастьян на распутье: о кантате BWV 51

13:30 – 14:30 Перерыв
14:30
Дневное заседание Председательствует С.А. Щитова РАКУ Марина Григорьевна
кандидат искусствоведения, доцент Российской академии музыки им. Гнесиных, старший научный сотрудник Российского государственного института искусствознания (Россия)
Роли и образы музыкальной классики в культуре советской эпохи


КОПИЦА Марианна Давидовна
доктор искусствоведения, профессор кафедры истории украинской музики и музыкальной фольклористики Национальной музыкальной академии Украины им. П.И. Чайковского (Украина)
Творчество Ивана Карабица в аспекте тенденций
украинской музыки последней трети ХХ века

18:00 Большой зал
Программа «Моцарт и Сальери»
(музыковедческое сопровождение В.И.Скуратовского)
в исполнении студентов и симфонического оркестра Днепропетровской консерватории им.М.Глинки
(художественный руководитель, дирижер, режиссер-постановщик – заслуженный деятель искусств Украины Дмитрий Логвин)




28 февраля Большой зал
10:00
Утреннее заседание Председательствует Л.В. Гонтовая
ФЕЙРКЛАФ Полин
Доктор искусствоведения, старший преподаватель факультета искусств Бристольского университета
(Великобритания)
Концерты Ленинградской филармонии в конце 20-30-х годов ХХ века
ЛЫЖОВ Григорий Иванович
кандидат искусствоведения, доцент кафедры теории музыки Московской государственной консерватории им. П.И. Чайковского (Россия)
Наследие Ю.Н. Холопова сегодня
ГОНТОВАЯ Лариса Валериевна
старший преподаватель кафедры истории и теории музыки Днепропетровской консерватории им. М. Глинки (Украина)
«Amao omi» Г. Канчели в свете развития современной хоровой музыки

12:00
Большой зал
Премьера
кантаты «Amao omi» Г. Канчели
в исполнении хора и квартета саксофонистов Днепропетровской консерватории и
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February 26 Hall orchestral mastery
(№ 420)


10:00 Rector's welcome Dnipropetrovsk Conservatory. Glinka, Honored Artist of Ukraine Yuri Mikhailovich Novikov


Morning session chaired VI Skuratovskiy

RYZHKOVA Svetlana fourth year student of Dnipropetrovsk Conservatory. Glinka
Supervisor LV Shingle
Maurice Ravel:mentor or wizard (the subtext of the opera-ballet "The Child and the Spells"

BABENKO Ales I. student course of historical and theoretical faculty of the Moscow Conservatory. Tchaikovsky
Supervisor RANasonov

On the symbolism of the Violin Concerto in E Major
IS Bach (bwv 1042)


IBRAGIMOVA Zeynep fourth year student of piano-theoretical faculty of Odessa National Academy of Music. AV Nejdanova
Supervisor
AI Samojlenko
Historical tradition and "updated interpretation" as two aspects of modern opera creativity


Ekaterina Kuznetsovagraduate student of the Department of Music History of the Russian Academy of Music. Supervisor Gnesinyh
MG
Cancer Rachmaninov and the American public: a revision history of the Fourth Piano Concerto

PISKUNOVA Anastasia
fourth year student of Dnipropetrovsk Conservatory. Glinka
Supervisor VI Skuratovskiy
"Stop a moment ...» «tabula rassa» Arvo Part

12:00 Natalia Fomenko
Competitor of the Department of Early Music National Music Academy of Ukraine. PI Tchaikovsky
Supervisor NA Gerasimov Persian


harpsichord music concert performed by
Natalia Fomenko Features interpretations of Baroque keyboard music: the experience of playing historically-informed (hip)

13:00 - 14:00

14:00
Break Afternoon Session Chaired by LV Shingle
BABENKO Catherine
Master Musicological Faculty of Donetsk State Music Academy. SS Prokofiev
Supervisor IN Mikhailova
allonimiya Music: History, Theory and Practice

Strilchuk Elena
Competitor of the Department of music history and musical ethnography of Odessa National Academy of Music. AV Nejdanova

AI Supervisor Samojlenko
Poetics of Olivier Messiaen as a subject musicological thinking


Master ZADNIPRYANAYA Elena Musicological Faculty of Donetsk State Music Academy. SS Prokofiev
Supervisor EGAntonov
Musical cryptography Enigma Variations Elgar E.


15:30 Hall Performing Arts (№ 305) Roundtable 17:30


Hall orchestral mastery (№ 420) Skuratovskaya Maria
fourth year student of Dnipropetrovsk Conservatory. Glinka
Supervisor VI Skuratovskiy

Premiere of the opera "Queen of Spades", directed by young artists a creative project "Young Opera" Metamorphoses "Queen of Spades": arbitrary or update






February 27 Great Hall

10:00Morning session chaired VI Skuratovskiy Levashev Eugene M.
Doctor of Arts, Professor, Russian State Institute of Art,Corresponding Member of the International Academy of Art (Russian)


Philosophy ornament BOBRIK Olesya A.
Ph.D.,senior researcher at the Russian State Institute of Art, professor of Moscow State Conservatory. PI Tchaikovsky (Russian)
Troubled times post-Soviet musicology: notes and participant observation of events



12:00 NASONOV Roman Alexandrovich
Ph.D.,Associate Professor of History of foreign music the Moscow State Conservatory. PI Tchaikovsky (Russian)

Chamber Orchestra Concert Dnipropetrovsk Conservatory. Glinka
(conductor - Vladimir Ovcharov)
Johann Sebastian at the crossroads: on cantata bwv 51

13:30 - 14:30 Break 14:30

Afternoon Session Chaired SA Shchitova CANCER Marina G.
PhD, Associate Professor of the Russian Academy of Music. Gnessinsenior researcher at the Russian State Institute of Art (Russian)
Roles and images of classical music in the culture of the Soviet era



Kopitsa Marianne Davidovna Doctor of Arts,Professor Department of History of Ukrainian Music and musical folklore of the National Music Academy of Ukraine. PI Tchaikovsky (Ukraine)
Creativity Ivan Karabyts in terms of trends
Ukrainian music of the last third of the twentieth century


18:00 Great Hall program "Mozart and Salieri"
(musicological support V.I.Skuratovskogo)
performed by students and symphony orchestra Dnipropetrovsk Conservatory im.M.Glinki
(artistic director, conductor, director - Honored Artist of Ukraine Dmytro Logvin)




February 28 Great Hall

10:00 Morning Session Chaired by LV Shingle

FEYRKLAF Pauline Doctor of Fine Arts, Senior Lecturer Faculty of Arts University of Bristol
(UK)
Leningrad Philharmonic concerts in the late 20-30s of the twentieth century

LYZHOV Grigory Ph.D., assistant professor of music theory, Moscow State Conservatory. PI Tchaikovsky (Russian)
Heritage YN Kholopova today

shingle Larissa Valerievna senior lecturer in music history and theory of Dnipropetrovsk Conservatory. Glinka (Ukraine)
«amao omi» G.Kancheli in the light of modern choral music


12:00 Great Hall

Premiere cantata «amao omi» G. Kancheli
choir and saxophone quartet and Dnipropetrovsk Conservatory
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26 February Hall orchestral
mastery (# 420)

10:00
welcome speech of the Rector of Dnipropetrovsk Conservatory. M. Glinka, honored worker of Arts of Ukraine, Yuri Mikhailovich Novikov


The morning session chaired by Mr. Skuratovskyi Svetlana RYZHOVA

TH course student of Dnipropetrovsk Conservatory. M. Glinka
supervisor L.v. Gontovaâ
m. Ravel: mentor or sorcerer (the religious implications of the Opera-Ballet "Child and magic"

student I Ales BABENKO course historical-theoretical Faculty of Moscow Tchaikovsky Conservatory
supervisor R.a. Nasonov
on the symbolism of the Violin Concerto in e major:

by J. S. Bach (BWV 1042)

IBRAHIMOVA Zeynep
TH course student of piano-theoretical Faculty of Odessa National Academy of music. A.v. Nezhdanova
Supervisor
Ai
Samoilenko historical tradition and updating interpretation "as two aspects of contemporary opera creativity of Yekaterina KUZNETSOVA


graduate student, Department of the history of music of the Russian Academy of music. Gnesinyh
supervisor M.g. Cancer
Rachmaninov and the American public: the history of revisions of the fourth Piano Concerto

PISKUNOVA Anastasija
TH course student of Dnipropetrovsk Conservatory. M. Glinka
supervisor V.i. Skuratovskyi
"Stop a moment ..." "Tabula rassa" Arvo Pärt
12:00

Natalia Fomenkocompetitor for the early music National Music Academy of Ukraine. P.i. Tchaikovsky
supervisor N.a. Gerasimova-Persian

harpsichord Concert music performance

Natalia Fomenko Features keyboard Baroque music interpretation: the experience of historically-informed performance (HIP)

13:00-14:00

14:00
Break the afternoon session chaired by L. W. Gontovaâ
BABENKO Ekaterina
master of musicological Faculty of Donetsk State Music Academy. S.s. Prokofiev
supervisor I. Mikhailova
Musical allonimiâ: history, theory and practice

STRIL′ČUK Elena
competitor for the history of music and music ethnography of the Odessa National Academy of music. A.v. Nezhdanova supervisor

Ai
Samoilenko The poetics of Olivier Messiaen as the subject of musicological thought Elena ZADNIPRÂNAÂ


master of musicological Faculty of Donetsk State Music Academy. S.s. Prokofiev
supervisor. Antonova
Musical Cryptography at Enigma-Variations of e. Elgar

15:30
Hall performing arts (No. 305)
,
17:30
Hall orchestral mastery (# 420) SKURATOVSKAYA Maria
student course ²V Dnipropetrovsk Conservatory. M. Glinka
supervisor V.i. Skuratovskyi

Premiere of the Opera the Queen of Spades "by young performers of the creative project" young Opera "Metamorphoses" Queen of Spades ": the arbitrariness or update






27 February Hall
10:00
The morning session chaired by Mr. Skuratovskyi Evgeny Mikhailovich LEVAŠEV
doctor of art criticism, Professor of the Russian State Institute of art studies, corresponding member of International Academy of Arts (Russia)
Philosophy ornament

BOBRIK Olesya Anatolevna
Ph.d. Senior researcher of the Russian State Institute of art studies, Professor of the Moscow State Conservatory. P.i. Tchaikovsky (Russia)
The troubled times of post-Soviet musicology: notes and observing party event


12:00

Roman Aleksandrovich NASONOV Ph.d. Associate Professor of the history of foreign music of the State Moscow Conservatory P.i. Tchaikovsky (Russia)

Concert of the Chamber Orchestra of Dnepropetrovsk Conservatory. M. Glinka
(conductor-Vladimir Ovcharov)
Johann Sebastian at the crossroads: the Cantata BWV 51 13:30

-14:30
14:30
Break the afternoon session chaired by S.a. Ŝitova Marina Grigorevna CANCER
Ph.d., Associate Professor, Russian Academy of music. Gnesinyh, Senior researcher of the Russian State Institute of art studies (Russia)
roles and images of classical music in the culture of the Soviet era


KOPITSA Marianna Davidovna
doctor of fine art, Professor of the history of Ukrainian music and musical folklore National Music Academy of Ukraine. P.i. Tchaikovsky (Ukraine)
Ivan Karabits in aspect of Art trends
Ukrainian music the last third of the twentieth century the great Hall 18:00


"Mozart and Salieri"
(muzykovedčeskoe V.i. SKURATOVSKYI of Ukraine escorts)
students and the Symphony Orchestra of Dnepropetrovsk Conservatory Mikhail Glinka
(artistic director, conductor, Director-the honoured worker of Arts of Ukraine Dmitry Logvin)




February 28 the Grand Hall
10:00
morning session chaired by L. W. Gontovaâ
FEJRKLAF
Pauline PhD, senior lecturer in the Faculty of Arts of the University of Bristol (United Kingdom)

The Leningrad Philharmonic concerts at the end of the 20-30-ies of XX century Grigory Ivanovich LYŽOV

Ph.d., Associate Professor of music theory of the State Moscow Conservatory P.i. Tchaikovsky (Russia)
Heritage Yn Kholopova Larisa V. GONTOVAÂ today

senior lecturer, Department of history and theory of Music Conservatory in Dnipropetrovsk. Mikhail Glinka (Ukraine)
"Amao omi". Why is that, in the light of the development of modern choral music

12:00

great Hall Premier
cantatas "Amao omi» g. Kancheli
sung by choir and a Quartet of saxophonists Dnepropetrovsk Academy
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On 26 February an orchestra Hall
skills (No. 420) lord 10:00 am
photogallery Dnepropetrovsk conservatory to them. M. Soloist, arts of Ukraine
Yuri Mikhailovich Novikov

Morning Meeting shall preside in.And. Barely three weeks
successes Svetlana
student (IV course Dnepropetrovsk conservatory to them. M. Soloist
Scientific head L.in. Гонтовая
M. Haydn Toy symphony:Mentor or magician (the underlying the opera-ballet "the baby and the magic"
VLADIMIR BELOUSOV Ales
student I course historical-theoretical, faculty of the Moscow Conservatory" them. P..And. Tchaikovsky
Scientific Director Dr..as well.A. Nasonov
on the symbols consumer qualities
concert mi seller
AND.With. Bach (BWV 1042)

Ibrahimova Зеинеп
student psychology course фортепианно-theoretical, faculty of Odessa National Academy of music to them. A.in. Inspiration
The Scientific head of the
A.And. Samoilenko
historical tradition and the "mainstreaming of interpretation" as two aspects of contemporary opera creativity more multitasking performance

Kuznetsov Ekaterina
It forwarded, chair of the history of the Russian Academy of Music music to them. Films
Scientific leader M.g. Cancer
pianist and the American public: the revision history of the fourth piano concert

Natural flicker Anastassy
student psychology course Dnepropetrovsk conservatory to them. M. Soloist
scientific leader in.And. Barely three weeks
"stop momentarily ... " "simplicity rаssа" Dèsirè in Пярта
12:00
Fomenko Natalia
Doctoral student, department of ancient music national music academy of Ukraine to them. P..And. Tchaikovsky
Scientific leader N. as well. Gerasimov-Polish lord клавесиннои Concert music
in performance
Natalia Fomenko especially клавирнои interpretation of Baroque music: experience historically-informed Spivakov (HIP) lord 13:00 - 14:00
break
14:00
afternoon chairs L.in. Гонтовая
VLADIMIR BELOUSOV Ekaterina
master музыковедческого faculty of Donetsk State Academy of music. With.With. Prokofiev
Scientific leader and.h. Mihailova
Music аллонимия: history, theory and practice more multitasking performance

СТРИЛЬЧУК Elena
doctoral student, department of the history of music and music ethnography Odessa National Academy of Music. as well.in. Inspiration
Scientific head of the
A.And. Samoilenko
Tambow)Olivier heady as the object музыковедческого reflection more multitasking performance

ЗАДНИПРЯНАЯ Elena
master музыковедческого faculty of Donetsk State Academy of music. With.With. Prokofiev
Scientific head of the E.g.Antonov
Music cryptography in Enigma tracks the variations E. Элгара

15:30
Hall performing skills (No. 305) Round table

17:30
Hall string skills (No. 420) СКУРАТОВСКАЯ Maria
(IV course student Dnepropetrovsk conservatory to them. M. Soloist
scientific leader in.And. Barely three weeks

This opera "Peak dame" in placing young artists creative project "a Young opera" Metamorphosis "stars": abandoned or update






on 27 February a large room
10:00
Morning Meeting shall preside in.And. Barely three weeks ЛЕВАШЕВ Evgeny Mikhailovich
professor, professor Russian state institute of ceramists,Associate member of the International Academy of Arts (Russia)
philosophy art

Borushek Irina Nikolayeva Director
ethnography,Senior research fellow Russian state institute of science, professor of the Moscow State Conservatory. P..And. Tchaikovsky (Russia)
DEDF-Europes history: notes and
monitoring party events

12:00
A. Nasonov Roman Alexandrovich
ethnography,Assistant professor of the history of Orthodox music Moscow State Conservatory to them. P..And. Tchaikovsky (Russia)lord chamber orchestra concert orchestra of Dnepropetrovsk. M. Soloist
(conductor - Vladimir - Alexandroupolis oil pipeline)
Johannes Sebastian at a crossroads: the Mariinsky Opera Company UHDE GMBH 51lord 13:30 - 14:30 Break
14:30
Day meeting chairs with.as well. Cancer Щитова Marina Krupnov
candidate art historian, professor at the Russian Academy of music to them. Films,Senior research fellow Russian state institute of orientalists (Russia)
The Role images and music classics in the culture of Soviet era


КОПИЦА Marianne Давидовна
professorProfessor of the history of Ukrainian almost homely - but festive music and academical national music academy of Ukraine to them. P..And. Tchaikovsky (Ukraine)
creativity Ivan Карабица in aspect trends
Ukrainian music the last third of the twentieth century lord 18:00 AM The Great Hall
program and Konstantin Chudovsky"
(музыковедческое escorts in.And.Look Forward)
In the performance students and symphony orchestra Dnepropetrovsk conservatory them.m.soloist
(art director, conductor, director and set designer - honored worker of arts of Ukraine Dmitry Varan)




On 28 February a large room
10:00 AM
morning meeting chairs L.in. Гонтовая
ФЕЙРКЛАФ Pauline
professor, senior lecturer, Faculty of Arts University of Bristol
(UK)
Leningrad philharmonic concerts in the late 20-30-s twentieth century
ЛЫЖОВ Grigory Ivanovich
a candidate an art historian, professor of music theory of the Moscow State Conservatory. P..And. Tchaikovsky (Russia)
The legacy of Yu.h. Irina Yevgenyevna Chernyayeva today
ГОНТОВАЯ Larissa answering
senior lecturer, Department of history and theory of music conservatory of Dnepropetrovsk. M. Soloist (Ukraine)
"Amао оmi" it.Results in the light of the development of a modern choral

12:00
a large room
Premiere
the "Golden Mask" Amао оmi" Mr.. In
in the performance of the choir and quartet саксофонистов Dnepropetrovsk conservatory and
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